Tiga and Matthew Dear have released their collaborative effort “Fever” culled from Tiga’s upcoming follow-up to 2009’s Ciao! produced under Dear’s Audion alias. A remix package featuring reworkings by Maetrik, Acid Arab, Tom Trago and Kink will drop on April 7.
Obligatory press gush from Audion (a.k.a. Matthew Dear) about the techy single: “Tiga and I worked on ‘Fever’ for an entire day, running it through various tempos, styles and arrangements, but nothing would stick. Then, sometime around 2am, it all clicked. We moved out of the way and the song essentially wrote itself. The vocal hook commanded the new direction, and after it was laid out, we slept. What you hear is that 2am perfection; only reachable when the world and your mind is asleep to all things conscious.”
Tiga vs Audion’s will embark on a mini tour, playing Berghain in Berlin on on April 30,Pressure & Electric Fog: The Riverside Festival, Glasgow, Scotland on May 2 and Oval Space in London on May 4.
Check out the duo’s new jam below.
Koze through the looking glass is a reading of bedtime stories for cosmic disco romantics. A follower of its own path and bringing an enchantment honored by the album cover’s mediaeval superhero impersonation, its light-fingered grip holds firm throughout. Heavy is the path less travelled, winding up like clockwork until the springs go loco when it does, with sighing vocals indicative of the reassurances Koze consistently offers.
Deep house settlers keep things simple, working a little heartening charm that lets you reach your own woozy highs and joys, whether by long unbroken background synth lines (“Royal Asscher Cut”), the impeccably preened (“Ich Schreib’ Dir Ein Buch”) or just by knowing that Koze will take his time until you’re soul-deep in the beats, with a plinking set of chimes here or a Beams-worthy appearance by Matthew Dear there.
“Magical Boy” notifies that spring has sprung, complete with the sound of bounding bunnies and a cast of quirks. “Das Wort” holds a flashlight to the face of Dirk von Lowtzow, but becomes a cuddly folk-in-toytown detour, part of another facet that Koze might spring something new at any moment despite gambolling down a pretty preordained yellow brick road. “Homesick” is more a neo-soul format with a Susanne Vega-style lead, and “Marilyn Whirlwind” jumps out at you with a rare lack of sensitivity but plenty more funk and electricity compared to the headswims Koze coaches.
File under: Swahimi, Apparat, Noze
Matthew Dear’s evolution continues, now settling into a midlife shuffle that marks the point where 2003’s Leave Luck to Heaven and fifth album Beams have very little in common. The vocal style that he’s allowed to seep through record by record now takes center stage, its leftfield pop aspiration sort of hanging off beats with a languid keeping of distance, using a kind of Beck-meets-Davids Byrne/Bowie gabble. Dear’s persona is now either too cool for everything, or not cool enough for anything, veiling happiness in a saddened slouch, with low-spirited charm (“Do the Right Thing”) or droning frustration (“Shake Me”).
An eponymous dedication to Detroit-schooled house and techno has now progressed into sounds nagging at the mainstream through plenty of 80s references (the infectious, even if you don’t know why, “Fighting is Futile” and the showy DIY funk “Up & Out”), while simultaneously sounding as if they want nothing to do with any particular scene (rebel without a cause “Earthforms,” electro burrower “Overtime”). It does leave fans in a quandary: embrace the changes or bemusedly wonder what’s going on.
May this review be so bold as to say if Dear’s original sound first rapt you, you don’t necessarily need this in your collection. For first-timers, everything sounds very well drilled as if this were Dear’s signature, skippered by a character that’ll take many listens to make sense of. A dream topic for message board arguers, that’s for sure.
File under: Tiga, Audion, Talking Heads
Matthew Dear just dropped his new single, “Look at the Moon,” produced as Audion, a moniker he uses for his sublime minimal techno excursions. His latest single comes after the equally enticing “I am The Car,” which is available below for your downloading pleasure. Dear will be taking his new material on the road this summer with audio/visual accompaniment from Eno Henze, Andreas Fischer, and Audion art director Will Calcutt. Dear plays DEMF this weekend and will tour throughout the summer. Catch him if you can.
AUDION – LIVE SUMMER TOUR 2009
May 25 – Detroit, DEMF
June 26 – Berlin, Berghain (Ghostly 10 Year Anniversary event)
June 27 – Amsterdam, Awakenings Festival
July 16 – Dour, Belgium, Dour Festival
July 4 – Valencia, Spain, Barraca
August 1 – London, Field Day
FREE DOWNLOAD: Audion – “I am The Car”
There’s a lot going on in techno titan Matthew Dear‘s world. His live band, Matthew Dear’s Big Hands (Dear on vocals along with guitarist John Gaviglio and drummer Mark Maynard), will embark on a nine-city North American tour beginning October 8. They’ll hit the road freshly seasoned from opening for Hot Chip in the UK. A new video for “Pom Pom” is due next month, and Spectral Sound just released house mixes of Dear’s classic single “Dog Days.” If that wasn’t enough, Dear has mixed the latest installment of Get Physical’s Body Language mix series which will be released on October 28. Does this guy ever sleep?
Matthew Dear’s Big Hands North American Tour
10/08 Chop Suey, Seattle
10/09 Holocene, Portland
10/10 Mighty, San Franciso
10/11 Avalon, Hollywood
10/17 Sonotheque, Chicago
10/18 Blind Pig, Ann Arbor
10/25 Ghostly International Showcase, LPR, NYC