DJ/producer Martin Buttrich has been celebrating two decades of music with his #9414 20 Years of Martin Buttrich tour. The tour isn’t just a mere victory lap for the seminal producer though — it also marks the launch of his new label plus the spearheading of a collaborative new album set for release in 2015.
Known for his stellar work behind the boards, this tour marks his long-awaited step into the spotlight, having spent years producing much-loved tracks for fellow producers like Timo Maas and Loco Dice and making killer remixes, like his Grammy-award remix of Tori Amos’ “Don’t Make Me Come to Vegas.”
Buttirch’s upcoming tour will feature opening slots with Loco Dice, Pete Tong, Carl Craig, Guti, Ryan Crosson and Shaun Reeves, some of which will be making appearances on his upcoming album.
Check out the North American tour dates and Buttrich’s tour video below.
26th – Detroit, TV Bar
27th – Chicago, Spy Bar
28th – Los Angeles, Sound
29th – San Francisco, Public Works
3rd – Miami, Trade
5th – NYC, Output
6th – Montreal, Stereo
The 14th annual Amsterdam Dance Event (ADE) will take place October 21-24th. Despite the global recession, event organizers are expecting to draw 80,000 electronic music fans and over 2,000 industry professionals. Carl Craig, Armin van Buuren, Laurent Garnier, Richie Hawtin, Boys Noize and Sven Väth have been confirmed to perform at the four-day even which will take place in 40 venues and over 700 DJs and live acts performing.
It’s been more than two days since I’ve eased myself back into life in New York after Detroit’s tenth annual Movement Festival, formerly known as the Detroit Electronic Music Festival. I’m not sure what it is about the experience that makes writing about it so hard. Maybe it’s my lack of distance from the event — the fact that I came of age in the Detroit techno scene in the late ’90s, the festival the culminating event of every summer for the past ten years. Maybe it’s the joy of revisiting the cultural space that once provided the only meaningful context for my young life I could find. Or maybe it’s the bittersweet satisfaction of seeing, no, hearing and feeling the violent outcry of a city that never seems to get a break ringing out from its damaged core, the specter of recent blows to its already ailing automotive industry casting an uneasy shadow over the festival’s vibrant lights (The General Motors building is, after all, adjacent to Hart Plaza. It figures as a vague reminder of the once great city’s ongoing struggle.)
Because Detroit has always been a place where one can experience, in a deeply visceral way, the sharpest of contrasts between life, death, anomie, and post-apocalyptic decay. When I first heard the sound of techno 12 years ago, stepping into a rave at the infamous Packard Plant, I discovered in those pounding, anarchic beats a startling palimpsest of soul and warmth — a warmth Derrick May brought back during the festival’s closing set this past Monday when he dropped Aril Brikha’s 1998 breakout record “Groove La Chord.” But yes! About the festival…
This year’s personal highlights include:
– Steve Bug rocking the main stage with his trademark funky grooves
– Derrick May’s closing set, which would have blown off the roof, had there been one.
– The crowd a spasm of fever and arms during Loco Dice vs. Luciano
– Ryan Elliott rocking the Red Bull Music Academy Saturday
– Octave One: ’nuff said
– Ghostly’s Todd Osborn and friends tearing shit up with a brutal mix of minimal, electro and acid house at the Blank Artists showcase (Saturday night festival afterparty)
– Los Hermanos rocking the main stage with a sublime live performance of Detroit’s own DJ Rolando’s classic “Knights of the Jaguar”
– Ghostly’s Mike Servito and Derek Plaslaiko along with New York’s own Bryan Kasenic (aka Spinoza) of Beyond Booking throwing down mad beats at No Way Back (Sunday night afterparty)
– And, of course, Audion dropping dark, wicked grooves Monday evening at the underground (or Made In Detroit) stage.
All in all, it was an amazing weekend. Techno-philes, if you didn’t make the trip to the D this year, be sure to book plans for next year now. Hotels are reasonably priced and there’s nothing quite like experiencing the spirit of techno brought back to its roots. And when you hear the pounding rhythms of Jeff Mills’ “Steps to Enchantment” filling all the Motor City’s majestic and tragic evacuated spaces, you’ll know that your recession dollars were dollars well spent.
Words & images: J.Peter
Carl Craig was supposed to join jazz collective Tribe at (le) Poisson Rouge in New York City last night. The gig was part of the JVC Jazz Festival and the group’s Big Apple debut. It was such a hotly anticipated show that Craig’s publicist advised Big Shot to “come early.” However, when Big Shot turned up promptly at 10:30, we were told by a nice door person that “Carl missed his flight, so he won’t be joining Tribe. We’re really sorry.” The hostess handed us a letter explaining the situation, and we understood. Sort of. At least someone apologized for wasting our time.
We thought we’d let the cat out of the bag and tell you that Santogold graces the cover of the new issue, which will be out in a hot minute. After guesting on Mark Ronson’s Version, the buzz on Santi White’s forthcoming debut album is simply deafening. Big Shot conducts an interview with the New Wave chanteuse at a parking lot at JFK airport.
If that weren’t enough, Neon Neon talk about their obsession with John DeLorean; Carl Craig answers reader e-mails, one of the members of Vampire Weekend gets into an argument with our Deputy Editor, and The Presets say their classical training shouldn’t prevent them from creating a good dance floor anthem.