When the original has been described as a work that puts its progenitors “in the maverick category,” upon being called up for the remix package, do you go like for like and play the rebels at their own game, try and straighten out the eccentricities to get them on your team, or just go about your own business to let them know who this project is really about?
Richard Dorfmeister and Rupert Huber are now seated for deep house and cosmic disco (“Meixner” again taking to the highway), measuring gilt-edged lushness and a look-ahead tightening of dancing shoes, all with a little loftiness carried over by an international cast. Dorfmeister’s own head to head with Madrid de Los Austrias means jazzy stepping out of bed comes with a little less stubble, taking a shine to a drifter donning top hat and tails, and there are even footnotes made within new supplements as Brendon Moeller betters himself as Beat Pharmacy to claim extra credit for “Bonjour,” with a dance floor study approaching odyssey status.
Whereas sombreness seemed to intrude on the source, there’s larger uplift second time around, without it being a facelift finishing in a manic grin. Though the AGF reformation of “Cavallo” displays a impatience that breaks up the original, “JayJay” in particular sounds more wide awake when taken care of first by Stefane Lefrancois, then with Makossa and Megablast rechanneling its pseudo-goth energy. In conclusion, all of the above.
File under: Rodney Hunter, Rainer Truby, Joyce Muniz